Morgen und Abend throws us into a man’s existence and beyond with mixed results

Emiel de Lange finds that the auditory component of Beckett's work far outweighs the visuals

Emiel de Lange reflects on a season of Pierre Boulez at the Barbican

Emiel de Lange reflects on a season of Pierre Boulez at the Barbican

Emiel de Lange explores the new musical vocabulary of one of the 20th Century’s most controversial...

Emiel de Lange explores the new musical vocabulary of one of the 20th century’s most controversial...

Emiel de Lange revels in life’s big questions at the National’s new production

Emiel de Lange explains why he thinks Issie deserves your vote

Emiel de Lange examines whether the ENO can grapple with Wagner’s masterpiece

This Tuesday, Imperial’s Musical Theatre society invited me to witness one of their final rehearsals...

Episode 8 - From North to South

Episode VII - Josquin

Puccini’s Turandot was “the end of the great tradition” of Italian opera. Ever popular, it is the...

Manon premiered in 1884, at the height of the Belle Époque.

Our prestigious neighbour, the Royal College of Music, is a fortress tucked away behind our own...

Satyagraha has been lauded as a masterpiece of modern opera since its premiere in 1980. After...

Episode 3: The School at Notre Dame

Emiel De Lange is unimpressed by the ENO’s theatrical wizardry

Episode 2: In the beginning...

Episode 1: What is Art?